Full Time Faculty

Director of Choirs – Dr. Brian Altevogt

Brian L. Altevogt, hired by Concordia University, Ann Arbor in 2003, serves as Chair of the Music Department, Associate Professor of Music and Director of Choirs. Dr. Altevogt directs the Concordia Choir and Women’s Chorus, coordinates voice instruction, and has taught a variety of courses in Music Education, Music History, and the Humanities. In 2008, he was presented the Distinguished Faculty Award for creative activities and scholarship.

Prior to his arrival in Ann Arbor, Dr. Altevogt taught general music at the elementary level and directed high school and middle school choirs for public schools in Michigan and Indiana. He has served as Director of Music in churches in Michigan and Ohio and now enjoys directing an adult choir at St. Paul Lutheran Church in Ann Arbor.

Dr. Altevogt graduated with a BM in Music Education at the University of Michigan, received his MM in Choral Conducting from the University of Cincinnati College-Conservatory of Music and DMA at the University of Michigan in Choral Conducting.

Concordia choral ensembles have been active under Dr. Altevogt’s leadership, singing in collaborative concerts, touring throughout the United States and Germany, singing annually for the Detroit Tigers, and releasing their first recording, Thy Light is Come. The choir has expanded their repertoire to include extended works, most recently Britten’s Saint Nicolas, the Fauré Requiem, Honegger’s Le Roi David, Arvo Pärt’s Berliner Messe, Morten Lauridsen’s Lux Aeterna, and Bach’s Masses in A and F.

Dr. Altevogt has conducted festival choirs though out the Midwest and adjudicates choir and vocal festivals in Michigan, Ohio, Indiana, and Illinois.

Brian lives in Ann Arbor with his wife, Lisa, and children, Jane Ellen, Claire, Kelsey, and Henry.

Director of Instrumental Music – Dr. William Perrine

William Perrine is Assistant Professor of Music and Director of Instrumental Activities and Campus Department Chair at Concordia University Ann Arbor, where he has served since 2012. His teaching duties include directing the Wind Ensemble and Orchestra as well as courses in music and music education. He holds a doctorate in Music Education from Indiana University, where his dissertation received the Dean’s Award for outstanding original research in music education. Dr. Perrine completed his Masters of Music degree in Wind Band Conducting at the University of Nebraska-Lincoln in May 2004, and he earned his undergraduate degree in Music Education from Transylvania University in Lexington, Kentucky. Under his direction, the CUAA Wind Ensemble has toured nationally, including a March 2016 debut at Carnegie Hall in New York City, and has been active in the commissioning and performance of new repertoire.

Dr. Perrine is a National Board Certified Teacher and spent five years as Director of Bands at The Sarasota Visual and Performing Arts Academy at Booker High School in Sarasota, Florida. Under his direction, the Wind Ensemble performed at Carnegie Hall in New York City in the spring of 2007, and the Chamber Winds performed at Kennedy Center for the Performing Arts in April 2009. Dr. Perrine also spent five years teaching in southeastern Kentucky, which included serving as band director at the Christian County Middle School from 1998-2002. While at C.C.M.S., Mr. Perrine doubled participation in the middle school band program to over 200 students and founded the district’s first middle school jazz program.

Dr. Perrine is an active member of the National Association for Music Education, the Michigan School Band and Orchestra Association, the National Band Association, the College Band Directors National Association, and the World Association for Symphonic Bands and Ensembles. His research areas include the philosophy of music, public policy, and the intersection of religion and music in the music curriculum. Dr. Perrine has presented his research at both national and international symposia, and is published with the Philosophy of Music Education Review, Journal of Historical Research in Music Education, Arts Education Policy Review, and the Music Educators Journal.

Director of Church Music – Dr. John Boonenberg

John Boonenberg serves as Director of Worship Arts Leadership and Assistant Professor of Music at Concordia University—Ann Arbor. As a long-time Director of Music Ministry, performer, and teacher, Dr. Boonenberg has been involved in the full musical life of the church—playing organ, piano, guitar, and other instruments for worship services, conducting choirs and instrumental ensembles, and teaching general music and drama in Lutheran schools. Under the guidance of Dr. Boonenberg, his school choirs have consistently won superior ratings at the Lutheran School Music Festival, and his adult choir has sung at several conferences and hymn festivals. Many of Dr. Boonenberg’s student-musicians have won numerous awards at various music festivals throughout the state.

Dr. Boonenberg is passionate about liturgical renewal in the church and creative worship planning. Enjoying a wide variety of musical styles, Dr. Boonenberg believes simple congregational song and music of the highest artistic achievement join together in the praise of God and in the proclamation of the Word. He believes in utilizing the varied musical gifts of congregation members to glorify God in Word and Song, and to edify the community of believers. He takes special interest in historic Lutheran hymnody, Contemporary Christian songwriting, music from the Taize community, and the music of J.S. Bach.

Dr. Boonenberg holds degrees from The University of Michigan (BM, DMA) and The Juilliard School (MM).

In his spare time, Dr. B. enjoys spending time with his wife Claudia and daughter Nora, running, and cheering on UM football and Detroit sports teams.

Applied Faculty – Voice

Voice – Kara Alfano

Kara Alfano has performed with opera companies and vocal groups throughout Michigan, including Michigan Opera Theatre, Opera Grand Rapids, Arbor Opera Theatre, Motor City Lyric Opera, the Comic Opera Guild, Lakeshore Chamber Singers, and Vox Early Music Ensemble. Her roles have included Dido in Dido and Aeneas, Adele in Die Fledermaus, Sister Constance in Dialogue of the Carmelites, Susanna and Barbarina in The Marriage of Figaro, Mercedes in Carmen, The Princess in The Goose Girl, Second Lady in The Magic Flute, and The Sandman in Hansel and Gretel. On the concert stage, Ms. Alfano has been a featured soloist in Honnegar’s King David, Handel’s Messiah, Vivaldi’s Gloria, and Bach’s Mass in b minor. Past awards have included the Seth F. Hokanson Voice Scholarship (National Award), and The Jenny Lind Voice Award (Michigan).

A dedicated teacher, Ms. Alfano serves on the voice faculty at Concordia University, where she currently teaches voice lessons and has taught Vocal Arts Lab and the Concordia Chorale. She has also taught voice at the Ann Arbor School of Performing Arts, The Chelsea Center for the Arts, Grosse Pointe South High School, and Saline High School.

Ms. Alfano received her training at the University of Michigan School of Music, earning both Bachelor’s and Master’s Degrees in Voice Performance. As a member of the UM Chamber Choir, she sang on the 2004 Naxos recording of William Bolcom’s Grammy award winning Songs of Innocence and Experience. She has studied under Carmen Pelton, Freda Herseth, Edward Parmentier, and Martin Katz.

Voice – Lorna Young Hildebrandt

Soprano Lorna Young Hildebrandt, who “warbled effortless roulades with lovely charm, seemingly perfect ease and impeccable intonation” (Simon Wainrib, Berkshire Record/Berkshire Bach Society, MA) specializes in performing repertoire of the great Baroque composers such as Handel, Bach and Vivaldi along with earlier composers of the 16th and17th centuries. Ms. Hildebrandt performs on concert series in Ann Arbor and in the Southeastern Michigan area including the DIA’s Brunch with Bach Concert Series, the Plymouth Oratorio Society and has presented fringe concerts in conjunction with the Boston Early Music Festival. Recent solo oratorio performances include Bach’s BWV 51 Jauchzet Gott in allen Landen, Vivaldi’s Magnificat, Schumann’s Requiem, Mozart’s Sparrow Mass, Gasparini’s Mass in G, Haydn’s Grosse Orgelmesse and Handel’s Judas Maccabeaus.

In the spring of 2014, Ms. Hildebrandt will collaborate with other Baroque musicians for a performance on the Academy of Early Music ‘s concert series entitled Concerto della Donne featuring the virtuosic and elegant repertoire of the “Ladies of Ferrara” for three sopranos. This performance will be presented at St. Andrew’s Episcopal Church in Ann Arbor, Michigan. (info@academyofearlymusic.org).

Ms. Hildebrandt has enjoyed coaching and teaching privately for over fifteen years. As an adjunct professor at Concordia University she has taught voice for over ten years. Ms. Hildebrandt’s vocal performance degrees are from the University of Michigan School of Music. Additional study in early music performance practice includes the Early Music Vancouver Programme and the Amherst Early Music Baroque Academy. For vocal pedagogy, she attended Richard Miller’s Summer Vocal Arts Conference at Oberlin College and Conservatory. She is the soprano soloist and section leader at First Presbyterian Church in Ann Arbor.

Recordings featuring Ms. Hildebrandt singing Gregorian chant and 16th & 17th century repertoire written by women composers such as Donna Chiara Margarita Cozzolani and Barbara Strozzi may be heard on the Ave Maria Press label. She also lends her light, clear voice to recording contemporary works by local and University composers, such as Professor Andy Kirshner’s music-theater work, The Museum of Life and Death based on the medieval morality play of Everyman. Lorna lives in Saline with her husband, Mark, and their two children.

Voice – Karl Schmidt

Karl Schmidt has had a long and varied career as a performer and an educator. As a vocalist, he has been featured in Michigan Opera Theatre Mainstage productions of Orpheus, Die Fledermaus, The Merry Widow, Salome and The Magic Flute. He has been an artist-in-residence with M.O.T.’s Community Programs Dept., which gives hundreds of performances each year in schools and communities throughout the state of Michigan and beyond. He has also sung roles with Toledo Opera, Opera Mid-Michigan, and Arbor Opera Theatre. His operatic credits include Don Jose in Carmen, Rodolfo in La Boheme’, Alfredo in La Traviata and Eisenstein in Die Fledermaus.

On the concert stage, Mr. Schmidt has been a soloist with many Detroit-area symphonies, including the DSO, the Dearborn Symphony and the Birmingham-Bloomfield Symphony, for performances of Beethoven’s Ninth Symphony, The Bach Magnificat, Orff’s Carmina Burana, Handel’s Messiah, and numerous “Pops” concerts. Karl has sung around the world on the cruise ships of the Royal Viking Line, and performed at the prestigious Cayman International Music Festival. Among numerous turns for the Musical Theatre he has essayed the roles of John Adams in 1776, Oliver Warbucks in Annie and the title role in Sweeney Todd. (He has also played Hero and Miles in several productions of “Forum”…) Since Karl began working on the other side of the footlights, he has been Music Director and conductor for productions of Fiddler on the Roof, The Boy Friend, The Fantasticks, Johnny Pye, and Sondheim’s Company at Hillsdale in 2010.

Mr. Schmidt has a Master of Music degree in vocal performance and has taught voice and directed choirs and musicals at Oakland University and Macomb College. He is presently an Adjunct Professor of Music and teaches voice at Hillsdale College and Concordia University Ann Arbor. Karl resides in Chelsea.

Applied Faculty – Instrumental

Flute – Holly Clemans

Holly Clemans has been Professor of Flute at Concordia University since 2002 and is active as a soloist, orchestral musician, flute instructor, and clinician throughout southeast Michigan. She is the founder and director of the Concordia Flute Day Camp, which is held on the Concordia campus in July. Professor Clemans has also held faculty positions at Olivet College, Carleton College, and William Tyndale College.

Throughout her career, she has maintained a special interest in flute pedagogy research. She is the 2010 winner of the Florida Flute Association’s Geoffrey Gilbert Teacher Study Grant and is currently studying the effective use of the body in flute playing. Ms. Clemans is a member of the National Flute Association (NFA) Pedagogy Committee and is a co-author of their publications: Selected Flute Repertoire and Studies; A Graded Guide, 2009; Selected Flute Studies: A Graded Guide of Etudes, Daily Studies, and Method Books, 2005, and Selected Flute Repertoire: A Graded Guide for Teachers and Students, 2004. She was editor and project leader for The Flutist’s Handbook: A Pedagogy Anthology, Volume Two, which was published in 2012.

Ms. Clemans has been an active performer on flute and piccolo with the Plymouth Symphony; the Mosaic Chamber Ensemble; Flute Fusion, a flute duo that performs on piccolo, C, alto & bass flutes; and the Michigan Sinfonietta. Past performances include appearances with the Ann Arbor, Dearborn and Livonia Symphonies; the Arlington, VA Symphony; the Minnesota Opera Orchestra; the Minnesota Composers’ Forum; and several chamber music groups in Washington, D.C. and Minneapolis/St. Paul.

Professor Clemans is a long standing member of the National Flute Association and has served the organization as a solo performer, chamber music performer, tape judge, and presenter for several annual conventions. As a Past President of the Southeast Michigan Flute Association, she has been on its Board of Directors since the group was founded in 2002. Her degrees include a B.M. in Music Education from Hartt School of Music, an equivalency degree in Music Therapy from Western Michigan University, and a M.M. in Flute Performance from the University of Michigan. Her influential teachers include Geoffrey Gilbert, Judith Bentley, Darlene Dugan, and John Wion.

Oboe – Ellen Sudia-Coudron

Ellen Sudia-Coudron (oboe, oboe d’amore and English Horn) attended the University of Michigan where she received her Bachelor of Music and Master of Music degrees in oboe performance, studying with Florian Mueller and Arno Mariotti. While attending the University, Ms. Sudia-Coudron had the opportunity to tour Europe with the Michigan Symphony Band and played in the Canary Islands Opera Festival with the University Symphony Orchestra.

Ms. Sudia-Coudron has also studied with Ronald Odmark, Daniel Stolper, Don Baker, John Snow, Robert Sorton, and Mark DuBois.

In 2000 Ms. Sudia-Coudron was a featured soloist with the Detroit Concert Choir. That same year she was a participant at the Elaine Douvas Oboe Master Conference held in Cincinnati, Ohio. In 2009 she participated in the Patrick McFarland English Horn Master Class held in Chautauqua, New York.

Ms. Sudia-Coudron’s current positions include principal second oboe with the Flint Symphony Orchestra and second oboe/English Horn with the Saginaw Bay Orchestra. Ms. Sudia-Coudron also performs with the Ann Arbor Symphony, the Toledo Symphony, the Michigan Sinfonietta and the Michigan Chamber Orchestra. She has also performed in the orchestras at the Michigan Opera Theater, Fox Theater, Masonic Temple, Fisher Theater, the Meadowbrook Theater and the DTE Engery Theater. Though her first love is classical music some of her favorite performances have included playing in the orchestras for Harry Belafonte, Manheim Steamroller, The Moody Blues, Roger Daltry and The Music of Led Zeppelin.

Ms. Sudia-Coudron maintains her oboe studio in the Ann Arbor-Saline area and has been teaching for over 30 years. She is married and she and her husband live in a beautiful wooded area surrounded by nature and wildlife.

Clarinet – Susan Hoekstra

Susan Hoekstra earned the Master of Music degree from Michigan State University and the Bachelor of Music degree from the University of Colorado in clarinet performance. Her principal teachers have included Larry Combs, Bil Jackson, Ted Oien, Elsa Ludewig-Verdehr, and she has worked under such well known clarinetists as Richard Stoltzman, John Bruce Yeh and Julliard’s Charlie Neidich.

As an orchestral performer, Susan has performed with the Jackson, Lansing, Southwest Michigan, Adrian, Flint, and Traverse Symphony, among others and has soloed with the Jackson Symphony, Albion College Orchestra and the Keeweenaw Symphony. A winner in the Ft. Collin’s Symphony’s Young Artist’s Competition and a finalist in both the William C. Byrd Young Artist Competition and the International Clarinet Competition, she has also performed at the Irving Wassermen and Bowdoin Summer Music Festivals and in recital with the Monarch String Quartet, the New World String Quartet and their cellist, Ross Harbaugh.

As an educator, she has been on the music faculties of Albion and Alma Colleges, Bowling Green State University, Interlochen Arts Camp, Spring Arbor University, and as a songwriter, was a finalist in the Great Lakes Songwriting Competition.

Equally at home behind the stage, Susan has served as an administrative consultant for a number of arts organizations as well as Director of Public Events for Bowling Green State University’s College of Musical Arts, General Manager of the Traverse Symphony Orchestra and worked in Admissions and Public Relations for Spring Arbor University, where she was part-time music faculty. In addition to teaching clarinet at Concordia University, she is currently Graduate Advisor for the College of Music at Michigan State University.

Saxophone – Mark Kieme

Mark Kieme is one of the most frequently recorded saxophonists in the Detroit area today, having performed on over 100 Cds and several hundred ads and soundtracks over the last thirty years. An alumnus of the University of Michigan School of Music, Mark studied with Larry Teal and Donald Sinta.While at the University, Mark performed with University groups in every major concert hall east of the Mississippi, including Carnegie Hall , Alice Tully Hall, and the Academy of Music in Philadelphia. After college, Mark studied jazz with noted jazz educator Harry Miedema of Indianapolis.

Mark is on faculty at Concordia University and Oakland University teaching Applied Jazz Saxophone, and jazz theory and improvisation. A regular member of the Paul Keller Orchestra, The Johnny Trudell Big Band, and The Craig Strain Orchestra, Mark has performed often with the Detroit Symphony, and can be heard in a vast array of settings throughout the year, from the concert hall, to ethnic festivals, jazz festivals ,local theaters, and many jazz venues. Mark is a founding member of The Detroit Reed Collective, and performs occasionally with noted early jazz scholar James Dapogny.

Mark has performed with Mel Torme, Doc Severinsen, The Temptations, The O’Jays, The Spinners, Aretha Franklin, The Four Tops, Tony Bennett, Maynard Ferguson, Deedee Bridgewater, Jimmy Haslip, Larry Coryell, David Sanborn, Frank Sinatra Jr, Kathy Lee Gifford,Patti Austin and many others. From 1986 –1991 Mark’s saxophone was the voice of the “Getting Fit With Denise Austin” show, aired twice daily on ESPN. He has played on commercials for Ford, Chevrolet, Chrysler, Volvo,Lincoln, and GMC, as well as The Michigan Lottery, Greektown Casino, Budweiser, and McDonald’s.

An enthusiastic doubler, Mark has performed with the Concordia University Wind Ensemble on bass clarinet in Carnegie Hall.

Trumpet - Jean Moorehead Libs

Yamaha Performing Artist Jean Moorehead Libs received her B.M.E and M.M. in Music Education and Trumpet Performance from the University Of Michigan School Of Music while studying with Prof. Emeritus Clifford P. Lillya; she continued at Michigan doing Post Graduate and Doctoral studies with Armando Ghitalla, Prof. Emeritus and former Principal Trumpet of the Boston Symphony Orchestra.

Miss Moorehead’s teaching credentials includes positions at Olivet College, The United World College of Southeast Asia, Northern Michigan University, Wayne State University, Oberlin College Conservatory of Music, the University of Michigan, the University of Michigan All-State program at Interlochen, and Grand Valley State University where she recently completed her 9th season on the faculty of the GVSU International Trumpet Seminar. A dedicated educator Jean’s many preparatory students have held leading positions in the University of Michigan’s Youth Ensembles, numerous State Honor Bands and Orchestras, Blue Lake Fine Arts Camp International Youth Orchestra and the Interlochen All State Youth Orchestras and Bands. Dozens of her students have gone on to major in music performance and education across the country and many have received prizes at the National Trumpet Competition, as Yamaha Young Artists and in the International Trumpet Guild student competitions. Dozens of her former students hold university teaching positions as well as membership in professional orchestras and America’s leading Military Bands.

Formerly the Principal Trumpet of the Singapore Symphony, Miss Moorehead remains active performing with Today’s Brass Quintet, the Michigan Sinfonietta, The Ann Arbor Symphony and The Michigan Opera Theatre Orchestra.

For over two decades Jean has served as an adjudicator and clinician at numerous district and state solo and ensemble and band and orchestra festivals for MSBOA (Michigan School Band and Orchestra Association). Currently she is Adjunct Prof. of Trumpet at Concordia University in Ann Arbor, Guest Faculty at GVSU and maintains a large private studio with students ranging in age from beginner to graduate school.

During her tenure as Pedagogical Topics editor for the International Trumpet Guild Journal, Jean was the author and editor of dozens of articles with many of America's leading trumpeters. Presently she is the chair of the ITG’s Young Artist Award Column, a contributing editor for Balquidder Music, Elan Brass Press and a clinician for Stork Custom Mouthpieces.

Horn – Melanie Hellick

Melanie Hellick received her bachelor’s degree in French horn performance, with highest honors, in 1999. Her principal teachers have been Louis Stout of the Chicago Symphony, Bryan Kennedy of the Detroit Symphony, and William Caballero of the Pittsburg Symphony. Melanie is a member of the Saginaw Bay Symphony Orchestra and the Ann Arbor Symphony Woodwind Quintet. She also performs with the symphony orchestras of Ann Arbor, Flint, Lansing, and Midland. Melanie serves as Adjunct Professor of Horn at Concordia University and also enjoys teaching a large private studio of horn players from Livingston, Oakland, Washtenaw, and Wayne Counties. Recently, she gave a series of National Endowment for the Arts presentations to school children throughout mid-Michigan.

Low Brass – Gary Hellick

Gary Hellick began his musical training at the Interlochen Arts Academy, earning a Young Artists Award in 1985. He continued with a Bachelor’s Degree in Music Performance cum laude at Wheaton College, IL, studying with members of the Chicago Symphony. He later served a Teaching Assistant post at Arizona State University while earning a Master’s degree in Music Performance and Pedagogy. Gary can be heard playing with the Detroit Symphony, Michigan Opera Theater, Detroit Chamber Winds, Fisher Theatre Orchestra, Toledo Symphony, Ann Arbor Symphony, Saginaw Bay Symphony, Motor City Jazz Orchestra, and the Jimmy Dorsey Orchestra. He is Professor of Trombone at Wayne State University, and part-time Lecturer at Eastern Michigan University. Gary has been Professor of Low Brass at Concordia University since 2006, and is the founder of the Concordia Low Brass Ensemble.

Percussion – Chuck Ricotta

Chuck Ricotta has served as the percussion instructor and arranger for the University of Michigan Marching Band Drumline since 2002. Chuck is a former member and staff member of the Phantom Regiment Drum and Bugle Corps from Rockford, Illinois. In addition, he has also served on the instructional and design staff of the Penn State University Indoor Drumline during their run as WGI Independent Open champions and Independent World finalists. Chuck is active as an ensemble director, clinician and consultant for many local schools and organizations in the southeast Michigan area.

As a performing artist, Chuck currently serves as the principal percussionist for the Flint Symphony Orchestra of Flint, Michigan. In addition, he has been a frequent guest performer with the Detroit Symphony Orchestra as well as the Ann Arbor Symphony. He has also appeared with the Michigan Opera Theatre, Saginaw Bay Symphony, the New World Symphony of Miami Beach, and the National Repertory Orchestra of Breckenridge, Colorado. Chuck also participated in the performance and recording of William Bolcom’s Songs of Innocence and Experience under the baton of Leonard Slatkin at Hill Auditorium in Ann Arbor. The CD, available on the Naxos label, was the recipient of 4 Grammy Awards including Best Classical Recording.

Chuck earned a Bachelor of Music Education Degree from Pennsylvania State University where he was awarded the Performer's Recognition Award. He earned a Master of Music degree in percussion performance from the University of Michigan.

Chuck is an Educational Artist for Zildjian Cymbals, Remo Drumheads, and Innovative Percussion. He also maintains a private teaching studio in Ann Arbor.

Percussion – Adam Ginsburg

Adam Ginsburg is a freelance percussionist, arranger, and private lesson instructor in the southeastern Michigan area. Currently, Adam teaches lessons through his own private studio and though Emerson School in Ann Arbor, MI. In addition to his private teaching, Adam is the director of percussion at two-time GRAMMY National Signature School Ann Arbor Pioneer High School and Drumline Instructor for Concordia University Ann Arbor.

As an orchestral musician, Adam performs regularly with the Grand Rapids, Ann Arbor, Flint, Saginaw Bay, Greater Lansing, and Detroit Symphony Civic Orchestras. In addition to orchestral music, Adam is passionate about new music and chamber music. He has been involved with several chamber music groups and composers recently, including a performance on the University of Michigan’s Student Composers Concert. Adam also has extensive experience in marching percussion, having been a member of the 2002 Carolina Crown and 2003 Phantom Regiment Drum and Bugle Corps, both under the direction of Paul and Sandi Rennick, and since 2000, has instructed and arranged and cliniced for numerous groups throughout the country.

Adam earned a Graduate Performance Diploma from The Peabody Conservatory of The Johns Hopkins University in Baltimore, Maryland. At Peabody, Adam studied with world renowned marimba and percussion virtuoso Robert van Sice, Cleveland Orchestra Percussionist Tom Freer, and current University of Miami Percussion Professor Svet Stoyanov. He holds a BM in performance from Baylor University where he studied with Todd Meehan and a MM in performance from Michigan State University where he studied with Gwen Dease. Adam proudly endorses Vic Firth sticks and mallets and Remo Percussion and Drumheads.

Adam currently resides in Ann Arbor, MI with his wife Kathryn and their miniature dachshund, Cadence.

Cello – Daniel Thomas

Daniel Thomas enjoys a diverse and fulfilling musical career as an orchestral, solo, and chamber cellist while remaining in high demand as an admired educator. As a fellowship student throughout his education, Daniel earned his BM from the University of Wisconsin and MM from the University of Michigan. Since graduating, Mr. Thomas has won well over a dozen orchestral and pedagogical positions throughout the US. He currently is the principal cellist of the Jackson Symphony Orchestra and a member of the Michigan Opera Theatre and Ann Arbor Symphony Orchestra. He has also served as a regular substitute with the Detroit Symphony Orchestra since 2002, and he previously was a fellow in the New World Symphony from 2003-2007. Mr. Thomas has recently been featured as a concerto soloist with the Jackson, Warren, and Royal Oak symphony orchestras, and he has performed as the guest solo cellist of over a dozen national Broadway tours.

As a chamber musician, Daniel concertizes annually in the Strings on the Bay chamber music series, and he is frequently invited to perform in collaborative concerts and other notable chamber music series throughout the Midwest. Pedagogy has always been a huge passion for Daniel, and he remains devoted to producing exemplary cello students and giving masterclasses at universities throughout Michigan, Wisconsin, and beyond. Mr. Thomas has served as cello faculty at Eastern Michigan University and Spring Arbor University, and he currently teaches at Concordia University – Ann Arbor in addition to hosting a thriving private cello studio.

Bass – Aaron Johnson

Aaron Johnson received his bachelor’s in double bass performance from Hillsdale College and his master’s in double bass performance from the University of Michigan. He currently plays with many of the regional symphonies in the area including Dearborn, Jackson, and Adrian among others. In addition, he currently holds position as adjunct professor of double bass at Hillsdale College. When he is not teaching and playing, Aaron works as the manager of the Repair and Restoration Shop at Shar Music in Ann Arbor.

Piano – Jenny Fisher

Jennifer Fisher earned a Bachelor of Arts in Music Therapy from Western Illinois University, a Master of Arts in Piano Pedagogy from Eastern Michigan University and level 1 certifications from the Gordon Institute of Music Learning (GIML) in piano and elementary general music. Here at Concordia University-Ann Arbor she teaches beginning piano and keyboard skills courses as well as private piano lessons. Down the road at EMU she teaches functional piano classes for music majors & serves on the faculty of the school's Community Music Academy. Off campus you might find her putting her level 1 & 2 GIML certifications in early childhood music to use at the Vineyard Childcare Center-Ann Arbor or serving as a summer GIML faculty member.

Organ – Carol Muehlig

Carol Muehlig is currently serving Concordia University as chapel organist and instructor of organ. In previous years, she has also taught piano and directed the handbell choirs at Concordia. A graduate of the University of Michigan School of Music, her organ study has been primarily with Marilyn Mason and Donald Williams (a member of the Concordia University faculty until his death in 2005), and her piano instructors have included Marjorie Leach and John Kollen. She has been an active and dedicated church musician all of her life. Additionally, she has done extensive accompanying and private teaching and has served on the faculty of the Chelsea Arts Center in Michigan. She has a special interest in both improvisation and composition and has written many choral and vocal works. Her music has been performed in many churches throughout the United States, including St. Thomas Church, New York City, and the National Cathedral, Washington, D.C. Her compositions have also been heard at concerts sponsored by the American Guild of Organists. She recently was commissioned by Marilyn Mason to contribute an organ work (Prelude on HYFRYDOL) to the Marilyn Mason Music Library. Additional commissions include one from the Ann Arbor Youth Chorale to write their signature song, Remember Me Singing. She has collaborated with several theologians and with her sister, Linda Muehlig, in an effort to contribute to the Church new hymns, solos, and anthems which reflect both theological and musical substance and integrity.

Applied Faculty – Academic

  • Composition – Dr. Geoffrey Stanton
  • Ethnomusicology – Dr. Suzanne Camino
  • Music Education – Beth McNally

Staff

  • Administrative Assistant – Judy Wuckert
  • Music Recruiter – Julie Pierce
  • Color / Winter Guard & Recruiting – Scott Bennett